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The Burns stanza is a verse form named after the poet , who used it in some fifty poems. It was not, however, invented by Burns, and prior to his use of it was known as the standard Habbie, after the (1550–1620). It is also sometimes known as the Scottish stanza or six-line stave. It is found in in the Romance of Octovian (Octavian). Max Kaluza (1911) A Short History of English Versification from the Earliest Times to the Present Day, George Allen & Co., London It was also found in mediaeval Provençal poems and from the Middle Ages.Edward Hirsch (2000) How to Read a Poem, Houghton Mifflin Harcourt, Florida

The first notable poem written in this stanza was the "Lament for Habbie Simpson; or, the Life and Death of the Piper of Kilbarchan" by Robert Sempill the younger. The stanza was used frequently by major 18th-century poets such as and and has been used by subsequent poets. Major poems in the stanza include Burns's "To a Mouse", "To a Louse", "Address to the Deil" and "Death and Doctor Hornbook". The stanza is six lines in length and \mathrm{AAABAB}, with \mathrm{A} lines and \mathrm{B} lines. The second \mathrm{B} line may or may not be repeated.Philip Hobsbaum (1996) Metre, Rhythm and Verse Form, Routledge – Taylor and Francis, London

Although the "Lament for Habbie" itself is strictly lyrical, subsequent uses have tended to be comic and satirical, as this passage from Burns shows:

A variation on the Burns stanza employs the rhyme scheme \mathrm{AABCCCB}, with foreshortened third and seventh lines. This form is deployed, for example, in W. H. Auden's poem "Brother, who when the sirens roar" (also known as "A Communist to Others"):

Auden uses similar verse forms in other poems in the collection Look, Stranger! (also known as On This Island), such as "" and "Out on the Lawn I Lie in Bed" (also known as "Summer Night"). A more recent example can be seen in W. N. Herbert's "To a Mousse". The \mathrm{AABCCCB} variation is also employed by Samuel Francis Smith in the lyrics of his song "America":

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